February 2012
40 posts
2 tags
Make a list of questions regarding your contract and go over them with your agent.
Feb 20th
4 tags
You can’t go wrong with Times New Roman 12 pt.
Feb 20th
3 tags
If the agent works for a larger agency, that agent is only receiving part of the 15% commission.
Feb 20th
5 tags
Contracts with multiple authors have different considerations than those with single authors.
Feb 20th
4 tags
Books are printed in “signatures” of 16 pages each, therefore book page counts are divisible by 16.
Feb 19th
5 tags
Keep your editor and agent in the loop on everything. Don’t wait until there is a problem.
Feb 19th
3 tags
If you’re in publishing or want to be, you should be reading published books. Preferably the bestsellers.
Feb 19th
4 tags
Don’t send a revision before you’ve gotten feedback on what you’ve already sent.
Feb 19th
6 tags
Don’t miss an opportunity to meet a celebrity. You never know when the connection might come in handy.
Feb 19th
2 tags
A query letter for a memoir should not be in third person.
Feb 18th
3 tags
Agents keep track of how and why editors pass… and submit future projects accordingly.
Feb 18th
1 note
3 tags
If you insist on comparing your work to a phenomenal bestseller, at least get the author’s name and title right.
Feb 18th
6 tags
All things in moderation: em dashes, parentheses, !!’s, semicolons, And, But, just, actually, and so on.
Feb 18th
3 tags
Calling your own book “brilliantly written” will lead agents to believe that it is not.
Feb 18th
4 tags
About eight months before publication, meet or conference call with the publisher to talk marketing and promotion plans.
Feb 15th
4 tags
Before you post an excerpt from your own book, get the publisher’s approval.
Feb 15th
4 tags
When you meet with your publisher, remember you’re also auditioning for national TV.
Feb 15th
3 tags
Never give up copyright to your own work/ideas/stories.
Feb 15th
5 tags
The publisher doesn’t have to earn back the entire advance to make a profit on the book.
Feb 15th
3 tags
Sometimes the gem is buried in the query. It pays to pay attention.
Feb 14th
2 tags
If I request your material, my interest/curiosity is “piqued.” My homemade meringue is “peaked.”
Feb 14th
1 note
5 tags
Exclusive submissions to agents are generally not to an author’s advantage.
Feb 14th
4 tags
Get contractual approval over adaptations, abridgments, and condensations of the text of the work.
Feb 14th
3 tags
Agents don’t sit on books, especially big ones. When they’re ready, we send them out. No need to nudge.
Feb 14th
6 tags
The “announced first printing” is never the actual first printing. It’s a target and often twice what the first print ends up being.
Feb 13th
4 tags
Your book should have a core market, and you should know how to reach it.
Feb 13th
6 tags
Pick your battles. Few things are worth alienating others, but some are, and that’s when you fight.
Feb 13th
1 note
6 tags
No hands near the face in an author photo.
Feb 13th
4 tags
Editors should respond in a timely manner even if, and especially if, they are passing.
Feb 13th
5 tags
Authors should see sample pages of the interior before the entire book is typeset (ie. consultation rights).
Feb 11th
5 tags
The most important person during publication is the author. But s/he must be involved *and* informed.
Feb 11th
5 tags
Don’t submit anything to your publisher that you don’t want them to use (title/subtitle ideas, photos, info).
Feb 11th
4 tags
Sucking up works.
Feb 11th
2 tags
An agent’s job isn’t just about the sale. If you think it is, you have a lousy agent.
Feb 11th
4 tags
Editors don’t like 98% of the agents out there. They need agents, but they don’t like them.
Feb 10th
6 tags
If publishers knew everything, all of their books would be hits. Authors should not be afraid to speak up.
Feb 10th
5 tags
Check the category the publisher assigns. Not all categories are created equal. You might need two.
Feb 10th
1 note
5 tags
In a memoir, there is never a need to say, “I remember…”
Feb 10th
5 tags
The title and the author’s name should be easily readable on the front and spine.
Feb 10th
2 tags
Before you query, always check the agent’s actual website for query/submission guidelines.
Feb 9th
January 2012
118 posts
2 tags
Editors and their assistants should never badmouth their authors to anyone but themselves.
Jan 19th
4 tags
An editor’s formulaic rejection (or one from the assistant) often means that editor doesn’t want to hear from the agent again.
Jan 18th
3 tags
Sour grapes don’t sell books. Complain to your agent, not to the public.
Jan 18th
2 tags
cc your editor on everything that goes to the publisher; cc your agent on everything.
Jan 18th
3 tags
Most publishers are generalists. Prepare to handle the niche marketing yourself.
Jan 18th
2 tags
Don’t state in a query the reasons other agents/publishers rejected you.
Jan 18th
3 tags
Pay attention to the option clause. On a proposal only, solely by the author, after acceptance, limit genre.
Jan 17th
5 tags
Don’t forget to ask to see the spine layout. It should be easily readable. If there is an image, check it for accuracy and consistency with the front cover.
Jan 14th
2 tags
White paper/screen and black type. Don’t go crazy. The words should get the attention, not the color scheme.
Jan 14th
2 tags
It’s not inspiration or perspiration, it’s Desire. With a capital D.
Jan 14th