March 2012
7 posts
4 tags
Don’t seek permission to quote material (or reprint an image) in your work until you’ve consulted with your agent and editor.
Mar 1st
February 2012
60 posts
3 tags
For editors thinking of crossing over to the dark side, a word of warning: foreign royalty statements.
Feb 29th
2 tags
Only sign authors you would have over to your house for dinner.
Feb 29th
3 tags
If you’re shopping for an agent and many are interested, talk to all of them before you make a decision. An extra day is all it takes.
Feb 29th
3 tags
Contracts with low-cost hardcover royalties must also define “low-cost hardcover.”
Feb 29th
4 tags
Authors should have approval over the offering of free electronic downloads to consumers.
Feb 29th
6 tags
It’s Publishers Weekly and Publishers Marketplace, not Publisher’s Weekly and Publisher’s Marketplace. 
Feb 28th
4 tags
Editors hate “best bids” auctions unless they know they don’t have much to offer anyway.
Feb 28th
1 tag
If you move, send your new address and phone number to your agent and your editor.
Feb 28th
5 tags
A good editing pace is 10 pages per hour.
Feb 28th
4 tags
Your contract probably says that you have to deliver a hard copy, but ask your editor. An email attachment is usually OK.
Feb 28th
4 tags
In most cases, publishers need 12 months from manuscript to bound book.
Feb 27th
4 tags
In acknowledgments, always thank your publishing team, especially your editor, even if you don’t mean it.
Feb 27th
2 tags
No query letters in bold, all caps, double-spaced, colored backgrounds, flash animation, or as attachments.
Feb 27th
3 tags
Common publishing style calls for the first paragraph of a chapter or a section to be flush left. The rest are indented. Don’t skip a line space in between paragraphs.
Feb 27th
3 tags
During layovers, stop in the airport bookstores and ask if they’d like you to sign stock of your book.
Feb 27th
3 tags
Television rights deals are small. And rare. But mostly small. It’s only if the pilot is picked up that there can be substantial money.
Feb 26th
2 tags
If you don’t want your age revealed in the book, tell your editor not to include your birth year in the printed CIP data that appears on the copyright page.
Feb 26th
4 tags
Where authors see major differences in the competition, publishers and bookstores see only a few degrees.
Feb 26th
4 tags
Compare yourself to successful authors with comparable platforms.
Feb 26th
2 tags
Make a list of questions regarding your contract and go over them with your agent.
Feb 20th
4 tags
You can’t go wrong with Times New Roman 12 pt.
Feb 20th
3 tags
If the agent works for a larger agency, that agent is only receiving part of the 15% commission.
Feb 20th
5 tags
Contracts with multiple authors have different considerations than those with single authors.
Feb 20th
4 tags
Books are printed in “signatures” of 16 pages each, therefore book page counts are divisible by 16.
Feb 19th
5 tags
Keep your editor and agent in the loop on everything. Don’t wait until there is a problem.
Feb 19th
3 tags
If you’re in publishing or want to be, you should be reading published books. Preferably the bestsellers.
Feb 19th
4 tags
Don’t send a revision before you’ve gotten feedback on what you’ve already sent.
Feb 19th
6 tags
Don’t miss an opportunity to meet a celebrity. You never know when the connection might come in handy.
Feb 19th
2 tags
A query letter for a memoir should not be in third person.
Feb 18th
3 tags
Agents keep track of how and why editors pass… and submit future projects accordingly.
Feb 18th
1 note
3 tags
If you insist on comparing your work to a phenomenal bestseller, at least get the author’s name and title right.
Feb 18th
6 tags
All things in moderation: em dashes, parentheses, !!’s, semicolons, And, But, just, actually, and so on.
Feb 18th
3 tags
Calling your own book “brilliantly written” will lead agents to believe that it is not.
Feb 18th
4 tags
About eight months before publication, meet or conference call with the publisher to talk marketing and promotion plans.
Feb 15th
4 tags
Before you post an excerpt from your own book, get the publisher’s approval.
Feb 15th
4 tags
When you meet with your publisher, remember you’re also auditioning for national TV.
Feb 15th
3 tags
Never give up copyright to your own work/ideas/stories.
Feb 15th
5 tags
The publisher doesn’t have to earn back the entire advance to make a profit on the book.
Feb 15th
3 tags
Sometimes the gem is buried in the query. It pays to pay attention.
Feb 14th
2 tags
If I request your material, my interest/curiosity is “piqued.” My homemade meringue is “peaked.”
Feb 14th
1 note
5 tags
Exclusive submissions to agents are generally not to an author’s advantage.
Feb 14th
4 tags
Get contractual approval over adaptations, abridgments, and condensations of the text of the work.
Feb 14th
3 tags
Agents don’t sit on books, especially big ones. When they’re ready, we send them out. No need to nudge.
Feb 14th
6 tags
The “announced first printing” is never the actual first printing. It’s a target and often twice what the first print ends up being.
Feb 13th
4 tags
Your book should have a core market, and you should know how to reach it.
Feb 13th
6 tags
Pick your battles. Few things are worth alienating others, but some are, and that’s when you fight.
Feb 13th
1 note
6 tags
No hands near the face in an author photo.
Feb 13th
4 tags
Editors should respond in a timely manner even if, and especially if, they are passing.
Feb 13th
5 tags
Authors should see sample pages of the interior before the entire book is typeset (ie. consultation rights).
Feb 11th